ABSTRACT
This work aims to present part of the master's dissertation "Interfaces of Social Memory", defended by the author in 2017, expanding the reflections, to think about the field of social memory and cultural heritage from the Covid-19 pandemic. Through the characterization of digital culture, cyberculture, cybrid culture, interface culture and memory culture, it recognizes the movement of virtualization of memory and the interface of culture that makes humanity immerse itself in screens and networks, real-time and cyberspace. It presents four museological phenomena and one memorialistic phenomenon to reflect on the virtuality/actuality of museums, and the virtual forms of memorialization emerging from cyberculture. It considers the role of the interfaces of social memory in the virtual/actual processes of musealization and memorialization since they have the potential to enable the dialogue between historical memory and living memory, absorbing the notion of place of memory and memory medium.